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RICCI: What’s the situation like on “Euphoria”? Do you stick to scripts tightly? Mike would let us live in scenes and play, but we never felt like we had to change his writing.

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It’s almost like he’s lived every single life, because it’s so on point. SWEENEY: A little bit, but I have to say Mike is - he is so fantastic in how he creates these voices for these characters. And so we quarantined for a couple days, and then we went right into it. The hotel was still closed, and we had the entire resort to ourselves while we were filming. SWEENEY: We didn’t really have any rehearsal process. RICCI: What was the rehearsal process like on that one? The one who is judging me, and mean, and thinks I’m lame.” That is the young woman that I am terrified of. RICCI: As an older woman, I was like, “Yes. SWEENEY: Olivia’s very different from who I am and my upbringing. So you didn’t feel like you related or were similar either to Olivia in “White Lotus” or Cassie on “Euphoria”? And she is the comedy in a lot of the scenes, so my real desire and struggle and whole intention was to just have it all be grounded in reality, and have her be somebody that you might have seen that person on the street and been like, “Oh, what a weirdo” - but this is what’s going on actually inside that weirdo. I feel like Misty is a similar sort of situation. You were saying if you played Cassie in a way where she wasn’t grounded in extreme pain, you could dismiss the character. And that’s of course just me being a jerk. I’m a bit of a contrarian, so I’ve always enjoyed - almost in an immature, rebellious way - playing people that you are supposed to hate. You guys are doing incredible work and I absolutely love Misty: She’s crazy. RICCI: Well, I mean, it’s a horror show so. I had nightmares after watching the first couple of episodes. Can we please talk about “Yellowjackets”? I haven’t had nightmares in a really long time.

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She’s starting to realize that she can control him with fear, and she’s never had that aspect before because she’s always been the one that’s been fearful. SWEENEY: There is a manipulative side of Cassie - and I think she’s found that through Nate. RICCI: Yeah, and just that she said her dream is to just be loved, and when she starts telling Nate, “You can tell me what to wear, you can tell me what to eat.” That is a form of communication for her, and she was never taught that you did not need that.

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SWEENEY: She doesn’t know how to communicate without showing her body. RICCI: It was like she’s regurgitating all of the negative things as women that were taught culturally, you know? And it’s so hard when you don’t know who you are. SWEENEY: Cassie is dealing with trying to love herself in a moment where she does not love herself, and she’s looking for that from other people. RICCI: And there were so many moments that were really uncomfortable and painful, and it is like just the uncontrolled emotion of a teenager. SWEENEY: You’re like, “Oh, she’s crazy, or she is fanatic - and she’s just emotional.” But there’s so much going on in her brain that it’s emotions that she’s actually feeling. I feel like I do know how difficult that is.

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But the way you played it was never camp - it was so real that that’s where the ridiculousness came from. RICCI: It’s a performance that you can make into a meme, or make it camp.














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